The scene opens with Piro reclining on his bed in front of a mountain landscape. A beautiful setting, indeed, but it’s only a wallpaper panel. It’s not trying to fool anyone, just like when Guzman says he’s only going away for a year. Is he telling the truth or is he just saying it to convince himself? He’s almost finished packing. Only a couple of things are missing: a t-shirt and the courage to say goodbye. Once he finds both, the farewell turns into Piro and Guzman making love as if it was the first time, just in case it’s the last time.

Dazed from a recent break-up, model Raul arrives late to a photo-shoot, but photographer Mauri decides to let it off the hook. As time passes by Raul struggles to focus in front of the camera, rather seeking consolation in the photographer. Grief turns to rage turns to lust as emotions rise and develop between the ornate green walls of the room. When one door is forced shut, another one is pushed open.