A group of friends rent a magnificent house by the sea to spend the summer together. The unexpected arrival of Shary and Diego’s son David sets something off in everyone, especially Matteo, an accomplished psychoanalyst who is married to Francesca. David’s lonely and enigmatic uncle Leonard senses the reasons behind the dangerous tension, hidden beneath layers of silence and friendly banter. This vacation will indelibly mark everybody’s life.

Cover-boy (low-budget film shot in the Sony digital HDV format and transfert on 35mm. feature film) is the story of the friendship between Ioan (Eduard Gabia) and Michele (Luca Lionello) respectively Romanian and Italian. The serendipitous encounter of two worlds apart: the travails of a young man, son of the Post-Communist Revolution, who flees his country in search of a better future and the travails of another youth who instead scrapes along the margins of a Western society that is unable to offer gainful employment to so much of its youth. In the background of this rapport between a simple Romanian youth and his marginalized Italian counterpart, there is a West which on one side is still reeling from the collapse of the Communist ideology and on the other, in the clutches of a Capitalist myth which has increasingly assumed, as it propulsive force, harsh competitiveness and an intensification of social inequality. The film tells the story of their shared experiences on the fringes of a prosperous city, tormented by their landlady (Luciana Littizzetto) and it illustrates how the savagery of a daily dog-eat-dog struggle for survival can be opposed by the bonds of genuine friendship. Ioan’s encounter with a famous photographer (Chiara Caselli), and his misjudgment of an exploitive sentiment for love, will ultimately bolster his friendship with Michele and guide him to the final destination of his on-going quest.